Captioned & Signed25th May 2015
Ofcom - Some progress on Subtitles but Further Progress Needed
Report shows that subtitling by main TV channels has some way to go
It is a shame that the majority of film and TV producers have to be constantly reminded about the importance of accurate and timely subtitles to a sizeable population in the UK and throughout the world. Fighting these requests, rather than embracing them, the Deaf community desperately needs someone to fight their corner. Announcing a review of subtitles previously, Ofcom published the third of their four reviews a few days ago.
Encouraging maybe, but this was far from a clean bill of health about the progress being made. With time running out, and with the final report due in October, it will be interesting to see what Ofcom does if the optional route to improving continues to disappoint the authorities. Like some areas around the world, I hope they send a very clear message that sun-standard, often misleading subtitles are just not good enough and will no longer be tolerated. Where subtitles are not even provided, I hope they throw the proverbial kitchen sink at the problem.
It is worth remembering that this review is of the programmes produced by the main channels in the UK.
Re-produced below is a brief overview of the Ofcom update.
- Broadcasters making some progress on quality of live TV subtitles
- But delays and subtitle speeds remain an issue for viewers
Ofcom today published its third report measuring the quality of live subtitles in UK TV programmes.
Ofcom requires the BBC, ITV, Channel 4, Channel 5 and Sky to measure the quality of their live TV subtitles, helping to identify improvements that could benefit the millions of viewers who use subtitles.
Today’s report shows that broadcasters are improving several aspects of subtitling. These include making extensive use of easier to read ‘block subtitles’, which show several words as a single block of text; cutting the number of pre-recorded programmes that have to be subtitled live; and reducing the number and duration of subtitle ‘outages’.
In October-November 2014, broadcasters delivered good accuracy rates (98% and above) across 77% of their programmes, compared to 76% in October-November 2013 and 74% in April-May 2014.
Latency in subtitles
Broadcasters are making some progress in delivering subtitles with lower latency, the time taken between the words being spoken and the subtitles appearing on screen.
Average latency has reduced by 0.6 seconds since April-May 2014, from 5.7 seconds to 5.1 seconds in October-November 2014. However, latency remains significantly above the maximum three second delay Ofcom recommends.
Latency in subtitles
(lower bars represent a better viewing experience)
High levels of latency mean that subtitles do not keep pace with what is being said on screen.
In programmes that involve switching between speakers and scenarios, such as BBC’s The One Show or Channel 4’s Sunday Brunch, high levels of latency can make it impossible for viewers to follow who is speaking.
With the exception of S4C, UK broadcasters have not yet explored how inserting a short delay in broadcasting programmes that are subtitled live could reduce high levels of latency. Broadcasters in the Netherlands and Belgium routinely use short delays in live subtitled programmes to reduce latency and improve accuracy.
Taking into account broadcasters’ concerns about testing a new approach on prime-time TV, Ofcom proposes that broadcasters consider trialling short delays in live subtitled programmes during off-peak times.
Ofcom will also ask broadcasters to consider re-editing subtitles that originally appeared live but are then repeated on time-shifted channels to reduce latency and improve accuracy of subtitles.
Ofcom will assess progress made on reducing levels of latency at the end of the year.
On average, subtitles are being delivered at the recommended speed: below 180 words per minute (wpm). However, Ofcom found nearly all the programmes analysed for this research were affected by short bursts of subtitles exceeding 200 wpm, making it difficult for viewers to follow them.
To understand the potential impact of short bursts of rapid subtitles, accuracy measures were adjusted to treat subtitling at speeds above 200 wpm as an error. Subtitle accuracy then began to fall below 98% across two thirds (68%) of the programmes analysed.
Ofcom has asked broadcasters to tackle the issue of subtitles being broadcast too quickly and will assess the progress made at the end of the year.
Claudio Pollack, Ofcom’s Content and Consumer Group Director, said: “Broadcasters are committed to delivering the best possible TV to all their viewers and we welcome their collaboration on this two year project.”
“Improvements in live TV subtitling are being made but it’s clear there’s more to do. Broadcasters now need to explore new and innovative ways of consistently delivering high-quality subtitles to the millions of viewers who use them.”
Today’s report is the third of four Ofcom reports on the quality of live TV subtitles. Each report samples data from broadcasters on the quality of live TV subtitles - measuring their accuracy, speed and latency.
The final report is due to be published in October 2015, after which Ofcom will evaluate the progress made and consider whether any regulatory changes are necessary to ensure viewers benefit from high quality subtitling.
Awareness and usage of subtitling services on TV is far higher than other access services.
Ofcom research found that around 7.6 million (ranges from 7 million to 8.1 million) UK adults claim to have used this service. Of these, 1.4 million (ranges from 1.2 million to 1.6 million) have a hearing impairment. A large part of subtitle usage is occasional and many subtitling users appear motivated to use the service for reasons other than to compensate for a hearing impairment.
Under Ofcom’s Code on Television Access Services, introduced in 2007, the amount of subtitling has risen from 10% on most channels to 80% or more by 2013. If broadcasters attract a viewing share of more than 0.05% then they must provide subtitles, provided that they can meet the assessed cost by paying no more than 1% of their relevant turnover.
Article by Sarah Lawrence, Editor
posted in Entertainment / Captioned & Signed
25th May 2015